Gone with the Glory: The Civil War in Cinema

Front Cover
Rowman & Littlefield, 2011 - Education - 252 pages
From Birth of a Nation to Cold Mountain, hundreds of directors, actors, and screenwriters have used the Civil War to create compelling cinema. However, each generation of moviemakers has resolved the tug of war between entertainment value and historical accuracy differently. Historian Brian Steel Wills takes readers on a journey through the portrayal of the war in film, exploring what Hollywood got right and wrong, how the films influenced each other, and, ultimately, how the movies reflect America's changing understandings of the conflict and of the nation.

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Contents

Hollywoods Civil War
1
The Birth of Civil War Cinema
7
Victory Rode the Rails
17
The Romantic Era of Civil War Cinema
28
The House Divided
38
The Personal War
51
A War without Boundaries
67
The Wests Civil War
82
The Angels of Gettysburg
154
The Plight of the Prisoners of War
165
The War and the Waves
175
Screening the Real War
185
Filmography
187
Actors who Wore the Blue
193
Actors who Wore the Gray
195
The Best and Worst of Civil War Cinema
197

Shilohs Bloody Harvest
98
Confederates Raid Vermont
110
The Music Teacher Raids Mississippi
120
A Stomach for War
130
Enough Glory for All
139
Notes
199
Bibliography
215
Index
227
About the Author
239
Copyright

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About the author (2011)

Brian Steel Wills is director of the Center for the Study of the Civil War Era at Kennesaw State University. He is the author of The Confederacy's Greatest Cavalryman: Nathan Bedford Forrest, The War Hits Home: The Civil War in Southeastern Virginia, and No Ordinary College: A History of the University of Virginia at Wise.