Dance as a Theatre Art: Source Readings in Dance History from 1581 to the PresentSelma Jeanne Cohen |
Contents
Preface | 1 |
Fabritio Caroso Rules and Directions for Dancing the Passo | 11 |
Balthasar de Beaujoyeulx Ballet Comique de la Reine Paris 1582 | 19 |
Copyright | |
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action arms artistic ASHTON audience BALANCHINE ballerina Ballets Russes battements beat beautiful beginning bend Blasis body century character choreog choreographer Circe classical ballet classical dance composed contemporary costumes coupé created dancers danse DENBY Denishawn Diaghilev Doris Humphrey dramatic Effy emotional entrées exercises expression Fairy feeling feet floor Fokine follow forward front Garage gestures grace Gurn hand heel human idea Isadora Duncan James knees La Sylphide lady leaning jump left foot left leg light London Martha Graham Merce Cunningham Minuet modern dance move movement nature never Noverre Opéra Paris Paris Opéra performance Petipa petits battements pirouettes plié position repertory right foot right leg Robbins romantic ballet ronds de jambe Ruth St scene sequence side sissonne solo stage steps story style Sylphide Taglioni technique Theatre theme thing Tudor turn variations virtuosity visualization York York City Ballet