Surrealist Collage in Text and Image: Dissecting the Exquisite Corpse

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Cambridge University Press, May 28, 1998 - Art - 248 pages
Elza Adamowicz presents an analysis of surrealist collage, both as a technique of cutting and pasting ready made material, and as a subversive and creative strategy. She considers verbal collage, pictorial collage, and the hybrids they generate, and discusses the works of Max Ernst and André Breton, as well as those of Aragon, Brunius, Eluard, Hugnet, Magritte, Péret, Styrsky and others. Focusing on the recycling of art-historical icons, the parodic reworking of narrative clichés, the concept of defamiliarisation of the banal, or the relations between part bodies and totalities, she offers close readings of individual collages, and links specific aspects of collage practice to central issues of surrealist aesthetic and political thought. Throughout this well illustrated study Adamowicz confronts the 'monstrous' nature of collage, grounded on excess and composed of irretrievable fragments and hovering signs.
 

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Contents

Cutting
26
Pasting
43
Cocking a snook
64
Between Fantômas and Freud
98
Masking
129
The future of statues?
159
An impossible mosaic
185
Bibliography
215
Index of surrealist collages
229
Index
245
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