Women Composers and Music Technology in the United States: Crossing the Line
Featuring analytical discussions or descriptions of about 150 different pieces of electro acoustic music by women composers in the United States, this book is the most definitive attempt to date to discuss the achievements of women as composers of experimental and avant-garde music from the 1930s to the present day. Using a wealth of primary material such as interviews and personal correspondence, AAWomen Composers and Music Technology AA, also explores currently relevant issues in gender and technology. Drawing out the relationships between composers and their working environments, and between teachers and students, Elizabeth Hinkle-Turner discusses the contribution of women composers to electro acoustic music. Complete with a bibliography and discography covering the work of 90 composers, the book is a valuable resource for those wishing to learn more about particular composers...
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acoustic Additionally aesthetic analogue Anderson Anne LeBaron artistic audience audio Beglarian California career CDCM Computer Music cited collaboration compact disc composer's composition Computer Music Computer Music Association Computer Music Conference Computer Music Series continues created creative Csound Daria Semegen discussed early effects electroacoustic music Electronic Music engineering ensemble environment experience experimental Experimental Music exploration featured female film flute gender genre Helmuth improvisation initial interactive interest International Computer Music Jin Hi Kim keyboard Knoles Kyma last accessed August Laurie Anderson Laurie Spiegel LeBaron liner notes live Media melodic MIDI Mills College multimedia music studio music technology musicians orchestra Pauline Oliveros percussion performance piano piece program notes projects recent Recordings Inc rhythmic Scaletti score Semegen solo sonic sound sources soundtrack synthesizer tape techniques timbres traditional instruments University of Illinois utilizing violin visual vocal voice women composers