Architecturalized Asia: Mapping a Continent through History

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Vimalin Rujivacharakul, H. Hazel Hahn, Ken Tadashi Oshima, Peter Christensen
Hong Kong University Press, Nov 1, 2013 - History - 344 pages
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 How did terms like “Asia,” “Eurasia,” “Indochina,” “Pacific Rim” or “Australasia” originate and evolve, and what are their connections to the built environment? In addressing this question,Architecturalized Asia bridges the fields of history and architecture by taking “Asia” as a discursive structure and cultural construct, whose spatial and ideological formation can be examined through the lenses of cartography, built environments, and visual narratives. The first section, on the study of architecture in Asia from the medieval through early modern periods, examines icons and symbols in maps as well as textual descriptions produced in Europe and Asia. The second section explores the establishment of the field of Asian architecture as well as the political and cultural imagining of “Asia” during the long nineteenth century, when “Asia” and its regions were redefined in the making of modern world maps mainly produced in Europe. The third section examines tangible structures produced in the twentieth century as legible documents of these notional constructions of Asia. In exploring the ways in which “Asia” has been drawn and framed both within and without the continent, this volume offers cutting-edge scholarship on architectural history, world history and the history of empires.

Written by architectural historians and historians specializing in Asia and European empires, this unique volume addresses the connection between Asia and the world through the lenses of built environments and spatial conceptualizations. Architecturalized Asiawill appeal to readers who are interested in Asian architecture, world architecture, Asian history, history of empires, and world history.

 

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Contents

Introduction
1
Mapping Asia
13
Conjugating Asia
81
Manifesting Asia
167
Notes
231
Bibliography
271
Index
293
Colour Plates 128
302
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About the author (2013)

 Vimalin Rujivacharakul is associate professor of history of art and architecture at the University of Delaware.

H. Hazel Hahn is associate professor of history at Seattle University.

Ken Tadashi Oshima is associate professor of architecture at the University of Washington.

Peter Christensen is research associate at Technische Universität München (TU Munich).

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