Current Directions in Ecomusicology: Music, Culture, Nature

Front Cover
Aaron S. Allen, Kevin Dawe
Routledge, Sep 25, 2015 - Nature - 322 pages

AWARD WINNER OF THE 2018 SOCIETY OF ETHNOMUSICLOGY ELLEN KOSKOFF PRIZE

This volume is the first sustained examination of the complex perspectives that comprise ecomusicology—the study of the intersections of music/sound, culture/society, and nature/environment. Twenty-two authors provide a range of theoretical, methodological, and empirical chapters representing disciplines such as anthropology, biology, ecology, environmental studies, ethnomusicology, history, literature, musicology, performance studies, and psychology. They bring their specialized training to bear on interdisciplinary topics, both individually and in collaboration. Emerging from the whole is a view of ecomusicology as a field, a place where many disciplines come together. The topics addressed in this volume—contemporary composers and traditional musics, acoustic ecology and politicized soundscapes, material sustainability and environmental crisis, familiar and unfamiliar sounds, local places and global warming, birds and mice, hearing and listening, biomusic and soundscape ecology, and more—engage with conversations in the various realms of music study as well as in environmental studies and cultural studies. As with any healthy ecosystem, the field of ecomusicology is dynamic, but this edited collection provides a snapshot of it in a formative period. Each chapter is short, designed to be accessible to the nonspecialist, and includes extensive bibliographies; some chapters also provide further materials on a companion website: http://www.ecomusicology.info/cde/. An introduction and interspersed editorial summaries help guide readers through four current directions—ecological, fieldwork, critical, and textual—in the field of ecomusicology.

 

Contents

Ecomusicologies
1973
Towards a Robust
2011
Applying Resilience Theory to Eucalypt
Why Thoreau?
Natural Species Sounds and Humans in Lowland South
Indigenous Music Making
Towards a Political Ecology of Musical
Musicking and Solidarity the Hornby Island
Perception and Action
Negotiating
Music Television Advertising and the Green Positioning
Ecocriticism and Traditional English Folk Music
Listening
Ecological
Libby Larsen
Ecological Imaginations Soundscapes

Musical
Critical Theory in Ecomusicology
Glossary of Keywords
Index

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About the author (2015)

Aaron S. Allen is Associate Professor of Musicology at the University of North Carolina, Greensboro, USA.

Kevin Dawe is Professor of Ethnomusicology and Head of the School of Music and Fine Art at the University of Kent, UK.

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