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acquired admirable antient antiquity appear Artist attain attention called Carlo Maratti cellencies character ciples Claude Lorrain colouring composition considered defects deformity dignity DISCOURSE distinguished drapery drawing dress effect elegance endeavour equal expression fame fashion favour genius ginal give grace grandeur greatest Guercino habit highest History Painting House of Hanover human figure idea of beauty imagination imitation inferior invention jects justly kind knowledge labour likewise manner masters means ment method Michael Angelo mind modern nation nature neral never object observed opinion ornaments Painter passions Paul Veronese peculiar perfect perly Phidias Philopoemen picture poet portraits Poussin practice precepts prejudices principles produced Quintilian quired racter Raffaelle rank reason recommend Roman ROYAL ACADEMY Rubens rules of art Salvator Rosa schools shew simplicity spectator stancy stile Student style suppose taste thing Tintoret tion Titian true truth ture Venetian Venetian school Veronese wish
Page 172 - It is true these refined principles cannot be always made palpable, like the more gross rules of art ; yet it does not follow, but that the mind may be put in such a train, that it shall perceive, by a kind of scientific sense, that propriety, which words, particularly words of unpractised writers, such as we are, can but very feebly suggest.
Page 50 - Excellence is never granted to man, but as the reward of labour. It argues, indeed, no small strength of mind to persevere in habits of industry, without the pleasure of perceiving those advances ; which, like the hand of a clock, whilst they make hourly approaches to their point, yet proceed so slowly as to escape observation.
Page 171 - It must, of necessity, be that even works of genius, like every other effect, as they must have their cause, must likewise have their rules; it cannot be by chance that excellencies are produced with any constancy or any certainty, for this is not the nature of chance; but the rules by which men of extraordinary parts, and such as are called men of genius, work, are either such as they discover by their own peculiar observations, or...
Page 75 - The painter has no other means of giving an idea of the dignity of the mind but by that external appearance which grandeur of thought does generally, though not always, impress on the countenance and by that correspondence of figure to sentiment and situation which all men wish, but cannot command.
Page 164 - ... imitation of others. A position so wild would scarce deserve a serious answer; for it is apparent, if we were forbid to make use of the advantages which our predecessors afford us, the art would be always to begin, and consequently remain always in its infant state; and it is a common observation that no art was ever invented and carried to perfection at the same time.
Page 167 - Genius is supposed to be a power of producing excellencies, which are out of the reach of the rules of art; a power which no precepts can teach, and which no industry can acquire.
Page 285 - Men's minds must be prepared to receive what is new to them. Reformation is a work of time. A national taste, however wrong it may be, cannot be totally changed at once; we must yield a little to the prepossession which has taken hold on the mind, and we may then bring people to adopt what would offend them, if endeavoured to be introduced by violence.
Page 175 - ... it is, that our minds should be habituated to the contemplation of excellence; and that, far from being contented to make such habits the discipline of our youth only, we should, to the last moment of our lives, continue a settled intercourse with all the true examples of grandeur. Their inventions are not only the food of our infancy, but the substance which supplies the fullest maturity of our vigour.
Page 266 - It has been often observed that the good and virtuous man alone can acquire this true or just relish, even of works of art. This opinion will not appear entirely without foundation when we consider that the same habit of mind which is acquired by our search after truth in the more serious duties of life, is only transferred to the pursuit of lighter amusements : the same disposition, the...