Approaching Photography |
Contents
Seeing and Thinking Photographically | 1 |
After the Shutter is Pressed | 23 |
Art and Communication | 33 |
Copyright | |
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19th century actually advertising appear approach artists attempt aware background beautiful become Bill Brandt Brian Griffin captions colour communication context convey dark tones deal documentary effect emotions Enoch Powell evoke exhibition exposure expression feel film focal frame front gallery give graphers graphic graphs HEREFORDSHIRE BEACON human idea illusion important influenced interesting interpretation John Blakemore juxtaposition landscape lens reflex lenses look magazines medium metaphor Minor White motif nature negative newspapers objects painters painting Paul Caponigro Paul Hill Paul Strand person photo-essay photographer's photographic image photographic print picture political portfolio portrait position posters produced reality reflected reproduction reveal sense sequence shadow shapes single lens reflex situation snapshot albums sort story strange subject matter surface surreal Surreal humour symbolise symbols taken television things tion understand usually view camera viewer viewfinder vision visual walls wide-angle wide-angle lens