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Can composition be learned?
Rhythms and movement
Composition and observation
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abstract accent altered areas of tone arranged artist attitude axis Bernard Dunstan Bonnard canvas central Claude Lorraine colour composition connection consciously contrast course create curve dark dealing decoration Degas develop diagonal directions drawing echoed edge emphasis exactly example eye level eye-level fact flat foreground formal frieze-like Gilbert Spencer group of pictures happen head horizontal idea important Impressionist instance kind landscape light shape linear lines linked London Fig look Madonna and Child mass matter middle movement moving National Gallery obviously painter pattern Persian miniature perspective pictorial picture space picture surface pier Piero della Francesca plane portrait possible proportion rabatment rectangle relationships Rembrandt repeated repetition rhythmic rhythms Richard Eurich Richard Wilson right-angles scene Seurat shows side simple slope sort square subtle things Tintoretto Titian tonal structure Turner Uccello Vermeer vertical visual warm whole window