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Actor Adam admiration appear Auditor Baft Baldwin Beaumont and Fletcher Ben Jonson besore blank verse Cain character Comedy comick consess Criticks desects dissicult Drama Dramatick edition of Shakespeare Editors Englifh excellence eyes faid fame Farmer fhall fhould Fran genius give Greek hand hath honour humour ingenious insinitely James's Chronicle Jonson King language Latin learning letter lise Locke Lord Love's Labour's Lost Maid's Tragedy manner master Math mean Merchant of Venice mind modern Mother Shipton nature Noble Kinsmen North Briton º º occasion Old Writers Ovid passage passion perhaps persormers piece play Poet poetical Pope Preface present Printer prosession prove Publick Education quarto reader reser S/or scene Shakespeare sirst sollowing sorce sorm sound suppose surely surther Terence terton Theatre thee theresore thoſe thou thoufand thrasonical tion Tragedy tranflation true verse wise words
Page 59 - Shakespeare is above all writers, at least above all modern writers, the poet of nature; the poet that holds up to his readers a faithful mirrour of manners and of life. His characters are not modified by the customs of particular places, unpractised by the rest of the world; by the peculiarities of studies or professions, which can operate but upon small numbers; or by the accidents of transient fashions or temporary opinions: they...
Page 62 - In tragedy he is always struggling after some occasion to be comick, but in comedy he seems to repose, or to luxuriate, as in a mode of thinking congenial to his nature. In his tragick scenes there is always something wanting, but his comedy often surpasses expectation or desire. His comedy pleases by the thoughts and the language, and his tragedy for the greater part by incident and action. His tragedy seems to be skill, his comedy to be instinct.
Page 60 - In the writings of other poets a character is too often an individual ; in those of Shakespeare it is commonly a species.
Page 60 - His adherence to general nature has exposed him to the censure of criticks, who form their judgments upon narrower principles. Dennis and Rymer think his Romans not sufficiently Roman ; and Voltaire censures his kings as not completely royal.
Page 62 - ... his disposition, as Rhymer has remarked, led him to comedy. In tragedy he often writes with great appearance of toil and study, what is...
Page 62 - Brabantio's window, without injury to the scheme of the play, though in terms which a modern audience would not easily endure; the character of Polonius is seasonable and useful; and the Gravediggers themselves may be heard with applause.
Page 61 - He was inclined to show an usurper and a murderer not only odious but despicable; he therefore added drunkenness to his other qualities, knowing that kings love wine like other men, and that wine exerts its natural power upon kings. These are the petty cavils of petty minds; a poet overlooks the casual distinction of country and condition, as a painter, satisfied with the figure, neglects the drapery.
Page 119 - I muft know farther, or you have made good But half your Promife.— While my Love flood by» Holding her upright, and my Prefence was A Watch upon her, her Defires being met too With equal Ardour from me, what one Proof Could...
Page 187 - Some men there are love not a gaping pig; Some, that are mad if they behold a cat; And others, when the bagpipe sings i...
Page 248 - The variety is so great that it would require a volume; nor would that reach it. Each man's mind has some peculiarity, as well as his face, that distinguishes him from all others; and there are possibly scarce two children who can be conducted by exactly the same method.