Pollock and After: The Critical DebateFrancis Frascina First published in 1985, Pollock and After established itself as a widely-read and highly influential collection of key writings on Abstract Expressionism. This revised edition, featuring ten new articles, is fully updated to take account of new critical approaches to post-war American art. Contributors: Anna C. Chave, T J Clark, Eva Cockcroft, David Craven, Michael Fried, Anne Eden Gibson, Clement Greenberg, Serge Guilbaut, Michael Kimmelman, Max Kozloff, Rosalind E. Krauss, Michael Leja, Jane de Hart Mathews, Fred Orton, Griselda Pollock, A. Deirdre Robson, David and Cecile Shapiro. |
Contents
AvantGarde and Kitsch | 21 |
Towards a Newer | 35 |
Clement Greenbergs Theory of | 47 |
Copyright | |
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abstract art Abstract Expressionism Abstract Expressionists aesthetic American art American Painting argument art criticism art history art's Artforum artists avant Avant-Garde and Kitsch Barr become bourgeois society bourgeoisie capitalism century claim Clement Greenberg Cold Cold War Communist conception critique Cubism debates discourse discussion dominant Dwight MacDonald effects essay exhibition experience explanation expression fact formal Gallery garde Guilbaut Harrison historians Ibid ideas ideology imitation intellectuals intelligentsia interests interpretation issue Jackson Pollock kind literature Manet Marxist mass culture means medium modern art modernist modernist art modernist painting MOMA Museum of Modern negation Newer Laocoon objects painters paradigm Paris Partisan Review Picasso pictorial picture poetry political Pollock practice problems produced question radical Realism representation represented revolution revolutionary Rothko Schapiro sense social Social Realism style subject matter T. J. Clark Text theory tradition Trotsky Trotskyism values writing York