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The Aesthetic Experience
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achieved action actual aesthetic experience aesthetic value appear appreciation artist aspect attitude beauty become called chapter character characteristic Clive Bell color concerned consider course danger day-dreaming degree desire difficult distinction Divine Comedy emotion ence enjoyment essen essential example expression fact feeling George Meredith Giorgione give grasp habits House of Mirth human nature imaginative impersonality impulse individual instinct intelligence interest intrinsic judge judgment least less live Lucretius material matter means ment merely mind moral morality and art mystical never object ordinarily Othello ourselves painter painting particular Paul Elmer perception plastic art possess possible practical activities purpose question realization realm reason recognize relation religion revealed Romantic love seek seems sensations sense significance situation Sons and Lovers sort suppose things Thomas Munro thought tical tion Titian true understand unity vision whole wholly words