Race and Representation in Tongues Untied, The Last Generation, and Paris is Burning |
Contents
Introductory Comments | 3 |
The HalfBreed the Queer and the Nation in Cherrie | 57 |
Concluding Remarks | 85 |
Common terms and phrases
articulation audience authentic balls bell hooks black and Latino black gay male black gay men black men loving black nationalism breed butch camera Chicana Feminism Chicano nationalism colonization conflation context Critique Cultural desire documentary dominant Dorian Corey erotic identification essay Essex Hemphill experiences Feminism Feminist filmmakers gay and lesbian gay communities gay men's lives half-breed heterosexual identify incorporates Indian intersections invisible Latino gay men's lesbian Livingston's film Lola Lola's lover mainstream marginalized Marlon Riggs mestiza Mexican Minh-Ha monolithic Moraga mother multiple narrative nationalist discourse negotiate ofrenda oppression Paris Is Burning Pepper Labeija poem political Queer racial identity racism recognize refusal relationship represent representation of black resistance role Routledge silence Snap stories subject positions Tongues Untied Tonques Trinh truth University Press Venus Xtravaganza viewers vision voices white aunt white lesbian white Rapist Father whitefather woman women of color Writing Xtravaganza York & London