Brecht's Early Plays |
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accept action adaptation Anna appears appetites attempt attitude audience Baal become begins behaviour Bloody Brecht characters complex concerned contrast course create critical death Diaries direct Drums Eduard effect element emotional evident example experience exploitation expression face fact feelings fight forced freedom function Galy Gay Garga Gaveston give given hand human identity imagination important individual interest ironic Jungle kind king Kragler lack later leave lives Mahagonny man's Marxism material means mind moral Mortimer namely nature Night notes offer once opera original particularly physical play pleasure political present problems production reality relations role scene seen sense Shlink simply social society soldiers speech stage struggle style suggests symbolic taken things turn understanding Whereas whole