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acted actor actress admirable Andrew Cherry Andromache appeared applause audience Baron Barry Beggar's Opera Ben Jonson called celebrated character comedian comedy Covent Garden Theatre Crebillon curtain death drama dressed Drury Lane Theatre Duke entertainment expression eyes Farinelli favourite Foote France French Garrick gentlemen give grace guineas hand Harlequin heart highwayman Hillyard Hogarth honour humour imitated Joe Grimaldi John Kemble Jonson Kean King Lady laugh Lekain length London Lord Mademoiselle MADEMOISELLE MARS manager manner master ment Moliere Mossop nature never night Opera paint passions performed person personage piece play players poet possessed pounds present Prince Queen racters received replied returned Richard scene sensibility sent servant Shakspeare Shakspeare's shew sion Sir Francis soul SPRANGER BARRY stage talents Talma tavern tears theatrical thou tion took tragedian tragedy tragic actor voice Voltaire woman words
Page xxii - ... twere, the mirror up to nature; to show virtue her own feature, scorn her own image, and the very age and body of the time his form and pressure. Now this overdone, or come tardy off, though it make the unskilful laugh, cannot but make the judicious grieve; the censure of the which one must in your allowance o'erweigh a whole theatre of others.
Page 246 - This many summers in a sea of glory, But far beyond my depth: my high-blown pride At length broke under me; and now has left me, Weary and old with service, to the mercy Of a rude stream, that must for ever hide me.
Page xxi - Speak the speech, I pray you, as I pronounced it to you, trippingly on the tongue ; but if you mouth it, as many of our players do, I had as lief the town-crier spoke my lines.
Page xxii - Be not too tame neither, but let your own discretion be your tutor: suit the action to the word, the word to the action ; with this special observance, that you o'er-step not the modesty of nature : for any thing so overdone is from the purpose of playing, whose end, both at the first, and now, was, and is, to hold, as 'twere, the mirror up to nature ; to show virtue her own feature, scorn her own image, and the very age and body of the time, his form and pressure.
Page 102 - Weep with me, all you that read This little story : And know, for whom a tear you shed Death's self is sorry. 'Twas a child that so did thrive In grace and feature, As heaven and nature seemed to strive Which owned the creature.
Page 102 - Parcae thought him one, He played so truly. So by error to his fate They all consented; But viewing him since (alas, too late) They have repented. And have sought (to give new birth) In baths to steep him; But, being so much too good for earth, Heaven vows to keep him.
Page 187 - Be absolute for death; either death, or life, Shall thereby be the sweeter. Reason thus with life,— If I do lose thee, I do lose a thing That none but fools would keep...
Page 25 - He began on it ; and" when first he mentioned it to Swift, the doctor did not much like the project. As he carried it on, he showed what he wrote to both of us, and we now and then gave a correction, or a word or two of advice ; but it was wholly of his own writing.
Page xxi - O, it offends me to the soul to hear a robustious periwig-pated fellow tear a passion to tatters, to very rags, to split the ears of the groundlings, who, for the most part, are capable of nothing but inexplicable dumb-shows and noise: I would have such a fellow whipped for o'erdoing Termagant; it out-herods Herod: pray you, avoid it.