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abdominal action actor Akropolis altar bell animal Artaud associations audience becomes begins Benvolio breathing centre chest concrete confrontation consciously Constant Prince create creative Cynkutis diction discipline Dr Faustus elements essential example exer experience expression feel function gestures give hands head holy human ideograms improvisation impulses Jerzy Grotowski Kathakali kind larynx legs living mask means method movement muscles myth natural objective occiput one's oneself organism oriental theatre ourselves partner pauses performance Peter Brook Photo physical play poor theatre position possible problems producer psychic pupil question reactions relaxed resonator respiration result reveal rhythm Richard Schechner role Ryszard Cieslak Scene score silence sing sound speak spectator spontaneity stage Stanislavski stereotyped stimulate Teatr-Laboratorium technique Theatre Laboratory theatre schools thing Thomas Mann tion truth Tulane Drama Review vertebral column vocal exercises voice whole body words