Kiss of the Spider Woman

Front Cover
Vintage Books, 1980 - Fiction - 281 pages
143 Reviews
Sometimes they talk all night long. In the still darkness of their cell, Molina re-weaves the glittering and fragile stories of the film he loves, and the cynical Valentin listens. Valentin believes in the just cause which makes all suffering bearable; Molina believes in the magic of love which makes all else endurable. Each has always been alone, and always - especially now - in danger of betrayal. But in cell, each surrenders to the other something of himself that he has never surrendered before.

What people are saying - Write a review

User ratings

5 stars
4 stars
3 stars
2 stars
1 star

Exquisite writing, painful, wonderful story. - Goodreads
Simple character development or is - Goodreads
A love story between two men in prison. - Goodreads
Manuel Puig is my new favourite writer, basically. - Goodreads
Even if you have to do your own research on - Goodreads
Yet another from the "Intro to World Novels" class. - Goodreads

Review: Kiss of the Spider Woman

User Review  - Natalie Schriefer - Goodreads

The lack of dialogue tags is perhaps one of the first things that readers notice in Kiss of the Spider Woman. Though it can be difficult to keep track of who's speaking, this dialogue-only novel is ... Read full review

Review: Kiss of the Spider Woman

User Review  - Jude - Goodreads

'– Something a little strange, that's what you notice, that she's not a woman like all the others.' This is how Argentine author Manuel Puig introduces his most highly acclaimed novel The Kiss of the ... Read full review

All 24 reviews »

About the author (1980)

Author Manuel Puig was born in General Villegas, Argentina on December 28, 1932. Betrayed by Rita Hayworth (1968) is an innovative novel narrating through a variety of techniques the story of a young Argentine boy who lives vicariously through the movies. Puig uses the phenomenon of compulsive movie-going as a symbol for alienation and escape from reality. Heartbreak Tango (1969) evokes the spiritual emptiness of the Argentine provincial life in the 1930s and the vulgarity of popular music and the soap opera. His best known work, Kiss of the Spider Woman (1979), was adapted as a film in 1985 and as a Broadway musical in 1993. He died of a heart attack on July 22, 1990.

Bibliographic information