Love's Labour's Lost
Love's Labour's Lost, now recognized as one of the most delightful and stageworthy of Shakespeare's comedies, came into its own both on the stage and in critical esteem only during the 1930s and 1940s--after nearly three hundred years of neglect by the theater and misuse by critics.
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PREFACE TO THE SECOND EDITION page
LOVES LABOURS LOST
THE COPY FOR LOVES LABOURS LOST 1598
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allusion Aquitaine Armado Berowne Berowne's Boyet Brag Charlton compositor conj copy Costard Curat dance dialogue doth draft Dull Dumaine edition editors eyes fair favour Folio text follow fool forsworn Gabriel Harvey grace hand Harriot Hart hath head hear heart heaven Hector Hercules Holof Holofernes Jaquenetta Judas juvenal Katharine King King of Navarre l'envoy lady letter light lines Longaville lord Love's Labour's Lost madam manuscript Maria Marprelate Controversy masked means misprints Moth Nashe Nath Navarre Nine Worthies Oakeshott oath pedant perjured play Pompey praise prefix Princess of France Q gives Q prints Quarto quibble quotes Raleigh reference revision rhyme Rosaline Rowe S.D. Q Enter scene School of Night Shakespeare Shakespearian signior sing Sir Nathaniel Sonnets sore speech speech-headings suggests sweet thee Theob thou tongue verse wench word Worthies