Nadja"Nadja, " originally published in France in 1928, is the first and perhaps best Surrealist romance ever written, a book which defined that movement's attitude toward everyday life. The principal narrative is an account of the author's relationship with a girl in teh city of Paris, the story of an obsessional presence haunting his life. The first-person narrative is supplemented by forty-four photographs which form an integral part of the work -- pictures of various "surreal" people, places, and objects which the author visits or is haunted by in naja's presence and which inspire him to mediate on their reality or lack of it. "The Nadja of the book is a girl, but, like Bertrand Russell's definition of electricity as "not so much a thing as a way things happen, " Nadja is not so much a person as the way she makes people behave. She has been described as a state of mind, a feeling about reality, k a kind of vision, and the reader sometimes wonders whether she exists at all. yet it is Nadja who gives form and structure to the novel. |
From inside the book
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Page 15
... Chirico would confide — entirely and , of course , artlessly , including the least consequential as well as the most disturbing details — what it was that once made him paint as he did , such a step , taken by such a man , would mean an ...
... Chirico would confide — entirely and , of course , artlessly , including the least consequential as well as the most disturbing details — what it was that once made him paint as he did , such a step , taken by such a man , would mean an ...
Page 16
... Chirico until we take into account his most personal views about the artichoke , the glove , the cookie , or the spool . In such matters as these , how much we could gain from his co - operation ! As far as I am concerned , a mind's ...
... Chirico until we take into account his most personal views about the artichoke , the glove , the cookie , or the spool . In such matters as these , how much we could gain from his co - operation ! As far as I am concerned , a mind's ...
Page 122
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Contents
I | 21 |
III | 22 |
IV | 25 |
V | 26 |
VI | 29 |
VII | 30 |
VIII | 33 |
IX | 34 |
XXVI | 95 |
XXVII | 96 |
XXIX | 103 |
XXX | 104 |
XXXI | 109 |
XXXIII | 110 |
XXXIV | 117 |
XXXV | 119 |
X | 35 |
XII | 36 |
XIII | 43 |
XIV | 44 |
XV | 47 |
XVI | 53 |
XVII | 54 |
XVIII | 57 |
XIX | 58 |
XX | 75 |
XXI | 81 |
XXII | 82 |
XXIII | 87 |
XXIV | 88 |
XXXVI | 120 |
XXXVII | 123 |
XXXIX | 124 |
XL | 125 |
XLI | 126 |
XLII | 127 |
XLIII | 128 |
XLIV | 131 |
XLV | 132 |
XLVI | 133 |
XLVII | 134 |
XLVIII | 137 |
XLIX | 149 |
Other editions - View all
Common terms and phrases
Alsace-Lorraine appeared beautiful beginning Benjamin Péret Blanche Derval Carter Cat's Dream certainly Chirico close color Dauphine decided Desnos dinner door drawing Eluard Enigma Etienne Dolet everything extremely eyes face feel fire front garden give glove hand happen haps head HENRI MANUEL PLATE hope Hôtel Huysmans insists kind kiss Le Vésinet least leave less letters longer looking Louis Aragon Louis VI Madame Sacco MAISON Manoir d'Ango marvelous Masques matter of fact means Monsieur Delouit Nadja Nantes never night Nouvelle France object October once painting Palais Royal Panthéon Paris Paul Eluard perhaps PHOTO Place Maubert play poem psychiatry queer question regard Régence remark Robert Desnos seems seen sense sentence Solange someone sophisms speak stop street suddenly suppose tell theater Théâtre des Arts Théâtre Moderne thing tion wait walking window woman words