Vision and Visuality, Issue 2Hal Foster A Village Voice Best Book of the Year, this seminal work presents new models of vision and examines modern theories of seeing in the context of contemporary critical practice. With contributions by:
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Alpers argue art history art of describing beat body Buci-Glucksmann CALIFORNIA/SANTA CRUZ CALIFORNIA/SANTA CRUZ UNIVERSITY camera obscura Cartesian perspectivalism Ch'an concept critique CRUZ The University cultural decentering Déjeuner Descartes Dia Art Foundation discourse discussion dominant Dutch art erotic example fantasy figure film folie du voir Foucault frame gaze grid Hal Foster historical Ibid Jacqueline Rose Jacques Lacan Jameson jects Jonathan Crary Lyotard Martin Jay matrix Merleau-Ponty modern modernist nerve nihility nineteenth century Nishida Nishitani Norman Bryson notion object observer optical Pablo Picasso painting paranoid perception perspectivalist perspective physiological Picasso political position postmodern produced psychic psychoanalysis pulse question radical relation Renaissance Richard Rorty Rosalind Krauss Sartre's scopic regime seems sense sight social specific śūnyatā techniques theory tion tive tradition trans twentieth century unconscious University Library UNIVERSITY UNIVERSITY OF CALIFORNIA/SANTA University Press viewer visual experience visual field visual space Western