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Vienna after the Empire
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aesthetic American composers artistic audience avant avant-garde Babbitt ballet Bartok became began Berg Berio Berlin Boulez Cage Cage's completes composition concert conductor Contemporary Music creative cultural dance Debussy decade Dyagilev early electronic music ensemble Europe European example Experimental Music expression festival French gamelan garde genres German harmony Henry Cowell Hindemith idioms important influence instruments IRCAM Italian jazz John Cage later London melody Messiaen Milhaud modern modernist movement music theatre musical language musicians Musik nationalist Nazi neo-classical neo-classicism Olivier Messiaen opera orchestra organ Paris percussion performance period piano pieces played political popular music postwar premiere Prokofiev published radical radio Reich rhythmic rhythms Russian Schoenberg scores Second Viennese School serialism serialists Shostakovich social Socialist Sonata songs sound Soviet Stockhausen Stravinsky style stylistic Symphony techniques theatre tonal traditional twelve-note twentieth century Vienna Viennese Webern Weill Western music World Wozzeck writing written wrote York