Considerations on Painting: Lectures Given in the Year 1893 at the Metropolitan Museum of New York |
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abstract admiration appear arrangement art of painting artist beautiful black and white blue Bonnat brush caricaturist carried cestrum child cloud colour complementary colour composition consider copy Corot Delacroix delight difficulty distinctly division Donatello drawing Dutch engraving estry Euripides example expression fact feel figures French Fromentin give greater grey hand Hence Horace Vernet idea illusion images imitation implied impression India ink innu intention Japanese knowledge landscape language learned LECTURE less light and shade living matter means meant memories of sight ment methods Michael Angelo Millet mind modelling momentary Museum nature objects ourselves outline painter perceptions perhaps picture practice principles Pyrrho reality recall recognize record Rembrandt remember representation represented savage scene sculpture sensation sense shadow side sort space speak suggestion surface synthesis teaching thought tion Titian to-day Vittoria Colonna wish words
Bibliographic information
| Title | Considerations on Painting: Lectures Given in the Year 1893 at the Metropolitan Museum of New York Considerations on Painting: Lectures Given in the Year 1893 at the Metropolitan Museum of New York, John La Farge Library of American civilization |
| Author | John La Farge |
| Publisher | Macmillan and Company, 1895 |
| Original from | the New York Public Library |
| Digitized | May 13, 2008 |
| Length | 270 pages |
| Export Citation | BiBTeX EndNote RefMan |