The Social History of Art, Volume 1 |
Contents
PREHISTORIC TIMES | 23 |
ANIMISM AND GEOMETRISM page | 30 |
THE ARTIST AS MAGICIAN AND PRIEST ART AS | 39 |
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Common terms and phrases
absolute aesthetic already aristocracy artistic baroque become beginning bourgeois bourgeoisie CALIFORNIA/SANTA CRUZ century character characteristic chivalry Christian Church classical antiquity conception of art Counter Reformation court courtly CRUZ The University culture Donatello drama early economic elements epic Euripides expression fact feudal Florence geometric Gothic Gothic art Greek guilds H. M. CHADWICK hand heroic High Renaissance humanists idea ideal important individual influence intellectual kalokagathia knights Kunst less longer mannerism manneristic Masaccio master MAX DVOŘÁK means medieval ment merely Michelangelo Middle Ages middle class modern Molière monasteries naturalistic nature Neolithic nobility origin outlook painters painting Palaeolithic peasant period Photo Anderson picture poet poetry political popular portraits princes principle production purely Quattrocento rational reality religious Renaissance representation Roman Romanesque Romanesque art Rome sculpture secular Shakespeare social society spiritual style taste tendency theatre Tintoretto tion tradition UNIVERSITY OF CALIFORNIA/SANTA urban whole workshops