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From Light into Paint
Truth and the Stereotype
in Pygmalions Power
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Agostino Carracci Alexander Cozens ambiguity appear artist aware called canvas caricature century chapter cited classical antiquity Claude Lorrain clues colour Constable's context copy Cozens critics cubism discovery discussed drawing effect Egyptian Ernst Kris experience expression fact famous figure Gallery of Art historian history of art idea illusion illusionist illustration imagination imitation interpretation invention J. J. Gibson John Constable Julius von Schlosser Kunst language learned Leonardo da Vinci light look means mental set method mind motif Museum National Gallery nature never object painter Paris pattern perception perhaps perspective Philostratus photograph picture Plato portrait poster problem projection psychology Quintilian reading reality Rembrandt rendering represent representation Ruskin schema schemata seen shapes story style suggest theory things tion Topffer tradition trick truth Vasari visible world vision visual Visual Perception Wivenhoe Park York and London