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abstract Academy American Anonymous art history art practice Artemisia Gentileschi avant-garde beauty Berthe Morisot bourgeois child colour contemporary contradictions craft creativity critics culture daughter decorative Document domestic dominant eighteenth eighteenth-century Elisabeth Vigee-Lebrun embroidery Eva Hesse exhibition female nude feminine stereotype feminist art Fini forms Frankenthaler Gallery genre Gentileschi Gwen John Harriet Hosmer Helen Frankenthaler history of art Hosmer institutions Judith Judith Leyster Kauffman Labille-Guyard language Leonor Fini lives London male artists Marie Bashkirtseff Marisol Mary masculine meanings modern art Morisot mother movement Museum nature needlework nineteenth century Nochlin notion objects oil on canvas painter Paris pastel patchwork quilt patriarchal picture portrait position produced professional Renaissance representation represented role sampler sculpture Self-portrait sexual difference significance Sirani social society Sofonisba Anguissola status still-life stitch structure style Surrealist Sutherland Harris symbolic Three Sisters Playing traditional Valadon Victorian Vigee-Lebrun woman women artists women in art women's art
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Vision and Difference: Femininity, Feminism, and Histories of Art
No preview available - 1988