Hindusthāni Music: An Outline of Its Physics and Aesthetics |
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Page 64
... major tone higher than the prime note and is a Fifth of the Fifth of the prime note . It is then through the Major Fifth acting as an auxiliary note , that the ninth partial establishes its relationship towards the tonic note . The ...
... major tone higher than the prime note and is a Fifth of the Fifth of the prime note . It is then through the Major Fifth acting as an auxiliary note , that the ninth partial establishes its relationship towards the tonic note . The ...
Page 70
... major Fifth or major Fourth . So , to choose the scale in a rational manner , we must choose the degrees from the essential consonances forming the harmony of the drone , and so arrange them as to give two similar tetrachords with a ...
... major Fifth or major Fourth . So , to choose the scale in a rational manner , we must choose the degrees from the essential consonances forming the harmony of the drone , and so arrange them as to give two similar tetrachords with a ...
Page 71
An Outline of Its Physics and Aesthetics Ganesh Hari Ranade. Major Fifth . Thus the pairs , C - G , D - A # , E - B , F - c are related by an interval of a just Fifth . If we choose the septimal intervals , then C D E F G A # Bb c is ...
An Outline of Its Physics and Aesthetics Ganesh Hari Ranade. Major Fifth . Thus the pairs , C - G , D - A # , E - B , F - c are related by an interval of a just Fifth . If we choose the septimal intervals , then C D E F G A # Bb c is ...
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Common terms and phrases
accompaniment æsthetic Alāpās ancient artistic belong Bharat C₁ chapter character chords chosen chromatic scales classical music consonances and dissonances consonant or dissonant degree Dhrupada difference notes drone emotional appeal employ Folk-music folk-songs form of musical Fourth Frequency fundamental note further G-type G₁ give given glide harmonic series harmonic upper partials hence Ichalkaranji individual instruments intervals Jāties Khyal laws Major Chord major Fifth Mātrās means melody mode mood musical composition nature notation Octave Odawa otherhand particular performer pitch poetic theme poetry practice prime note principle prominence Rāga Rāga-scale Rāga-system Rāgās Rasās recitation relation relationship rhythm Shārangdev Shrutees Shuddha scale simple sonances song string stringed instruments summation notes sung syllables systems of music Tambura Tāna Tānās Tappā Tarānā tetrachords Thumri time-measure tion tonality tone tonic tonic note tuning Unity of Indian Vādi variations vibration vocal voice vowel words राम रे सा सारे ऽ ऽ