Hindusthāni Music: An Outline of Its Physics and Aesthetics |
From inside the book
Results 1-3 of 21
Page 2
... rhythm came into prominence . In the early stages , the melody was bound to be plain and curt . Gradually , the limits were widened and it moved through a fairly large portion of the scale . What was true of melody was equally true of ...
... rhythm came into prominence . In the early stages , the melody was bound to be plain and curt . Gradually , the limits were widened and it moved through a fairly large portion of the scale . What was true of melody was equally true of ...
Page 54
... rhythm , as in the case of the Folk . Dances , as on the con- sonances and dissonances forming the melodic law or the scale . In short , the music of Folk - Songs and Dances , though poor in point of harmonic effect , is powerful and ...
... rhythm , as in the case of the Folk . Dances , as on the con- sonances and dissonances forming the melodic law or the scale . In short , the music of Folk - Songs and Dances , though poor in point of harmonic effect , is powerful and ...
Page 92
... rhythm in music means . The poetic metres therefore were not at all suited to the requirements of musical rhythm , which framed its different time - measures on the principle of regularity of the places of stress and rest and on further ...
... rhythm in music means . The poetic metres therefore were not at all suited to the requirements of musical rhythm , which framed its different time - measures on the principle of regularity of the places of stress and rest and on further ...
Other editions - View all
Common terms and phrases
accompaniment æsthetic Alāpās ancient artistic belong Bharat C₁ chapter character chords chosen chromatic scales classical music consonances and dissonances consonant or dissonant degree Dhrupada difference notes drone emotional appeal employ Folk-music folk-songs form of musical Fourth Frequency fundamental note further G-type G₁ give given glide harmonic series harmonic upper partials hence Ichalkaranji individual instruments intervals Jāties Khyal laws Major Chord major Fifth Mātrās means melody mode mood musical composition nature notation Octave Odawa otherhand particular performer pitch poetic theme poetry practice prime note principle prominence Rāga Rāga-scale Rāga-system Rāgās Rasās recitation relation relationship rhythm Shārangdev Shrutees Shuddha scale simple sonances song string stringed instruments summation notes sung syllables systems of music Tambura Tāna Tānās Tappā Tarānā tetrachords Thumri time-measure tion tonality tone tonic tonic note tuning Unity of Indian Vādi variations vibration vocal voice vowel words राम रे सा सारे ऽ ऽ