Oppositions Reader: Selected Essays 1973-1984K. Michael Hays In its 11-year history, Oppositions, the journal of the New York-based Institute for Architecture and Urban Studies (IAUS), set the agenda, introduced key players and published seminal pieces on the theorization of architecture in the late 20th century. |
Contents
On Reading Heidegger 4 Peter Behrens and the | 3 |
The Third Typology 7 317 On Architectural Formalism | 13 |
Jorge Silvetti Quatremère de Quincy | 25 |
The Idea of Architecture 400 Vorwärts Kameraden Wir Müssen Alois Riegl | 105 |
Robert Venturi and the Yale Leon Krier 654 On Robert Venturi Denise Scott | 135 |
Criticism and Design 13 Joan Ockman Fred Koetter | 155 |
Reflections on History La arquitectura como oficio 23 | 425 |
Maison Dom Martin Pawley 672 The BeauxArts Exhibition | 437 |
The Anthony Vidler | 694 |
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Common terms and phrases
aesthetic age-value Aldo Rossi Algiers Anthony Vidler archi Archigram architects artistic avant-garde Beaux-Arts become Behrens's Berlin building chitecture CIAM classical classical architecture codes Colin Rowe complex composition concept construction context contradiction Corbusier Corbusier's criticism critique cultural discourse Durand elements established exhibition existing facade fact Figure formal function geometry Hannes Meyer historical value human Ibid idea ideal ideology industrial Kenneth Frampton La Sarraz language Le Corbusier Manfredo Tafuri meaning ment modern architecture Modern Movement modernist monuments Mundaneum Museum nature notion object Obus Oppositions organization Paris Peter Behrens Peter Eisenman physical political position possible present problem production proposed rational reality relation relationship Robert Venturi Rowe's sense social society space spatial specific Street structure style symbolic Tafuri tecture theory tion traditional transformation Turbine Factory ture typology urban Villa York