Expanded Cinema |
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Page 54
... environment and that “ environment " for contemporary man is the intermedia network . We are conditioned more by cinema and television than by nature . Once we've agreed upon this , it becomes immediately obvious that the structure and ...
... environment and that “ environment " for contemporary man is the intermedia network . We are conditioned more by cinema and television than by nature . Once we've agreed upon this , it becomes immediately obvious that the structure and ...
Page 55
... environment . We're now moving into the Cybernetic Age in which man learns that to control his environment he must cooperate with it ; he not only participates but actually re- creates his environment both physical and metaphysical ...
... environment . We're now moving into the Cybernetic Age in which man learns that to control his environment he must cooperate with it ; he not only participates but actually re- creates his environment both physical and metaphysical ...
Page 189
... environment of face . " Conventional painting and photography have explored as much of that environment as is humanly possible . But , as with other hidden realities , is there not more to be found there ? Do we not intuit something in ...
... environment of face . " Conventional painting and photography have explored as much of that environment as is humanly possible . But , as with other hidden realities , is there not more to be found there ? Do we not intuit something in ...
Contents
List of Illustrations | 15 |
Inexorable Evolution and Human Ecology | 37 |
Cybernetic Cinema and Computer Films | 43 |
Copyright | |
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aesthetic artist audience becomes Beflix black-and-white broadcast Buckminster Fuller called camera Carolee Carolee Schneemann color commercial entertainment computer films concept consciousness cosmic create creative Cybernetic dancers developed earth effect electronic environment exist expanded cinema experience Expo 67 filmmaker frame GENE Gene Youngblood graphic holographic Howard Wise human idea imagery John John Cage John McHale Jordan Belson kinaesthetic kinetic language laser light light pen live machine manipulation medium metaphysical motion movie moving Nam June Paik Nameth nature object optical Paik patterns perception Photo photographed physical picture possible produced projection projectors reality realize recorded Ronald Nameth scan scientists screen sense sequence sexual simultaneously slit-scan sound space Stan Brakhage structure studio synaesthetic cinema Tambellini tape techniques television theatre there's things tion transformed tube universe videographic videotape videotronic viewer vision visual Whitney York