The New Photography: A Guide to New Images, Processes, and Display Techniques for Photographers |
Contents
The Place of Surface in the History of Photography 3 Evaluation of | 10 |
Properties and Sources of Light by Lewis Alquist | 20 |
Contact Printing Frames 30 Multiple Printing | 30 |
Copyright | |
15 other sections not shown
Common terms and phrases
acid acrylic Ammonium dichromate Aquapel archival areas artist blue brush camera cellulose Chapter chemicals Chicago coated papers collage color contact printing corona discharge cotton Courtesy create cyanotype Dard Hunter darkroom developed dichromate distilled water dyes etching exposure ferric fiber film formation aid frame gelatin glass grams gum bichromate gum printing handmade paper high-voltage hologram Japanese kallitype laser layer light linter machine manipulation Mary Jo Toles materials medium metal milliliters minutes mixed mixture mould and deckle negative object oxalate Oxalic acid paint paper surface papermaking pattern Photo credit photograms photographic image photographic paper pigment placed plastic plate platinum potassium produce pulp removed Robert Heinecken safelight salt screen sensitive sheet of paper side silver nitrate solution Sources of Supply stored techniques tion tissue tographic tone transfer ultraviolet Untitled Van Dyke brown visual wash watercolor yellow
References to this book
Disappearing Witness: Change in Twentieth-Century American Photography Gretchen Garner Limited preview - 2003 |