Brecht on Theatre: The Development of an Aesthetic |
Contents
Frank Wedekind | 7 |
A Reckoning | 11 |
Emphasis on Sport PART ONE 19181932 | 11 |
Copyright | |
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able acting actor alienation allow appeared artistic attitude audience become Berlin Brecht called character comes completely course create criticism demonstration designed directed discussion drama effect element emotions entirely epic theatre experience expression fact feel force further German gest give given groups hands human ideas imagination important incidents individual interest kind lead learning less living look material matter means method Mother move natural never notes object once opera particular performance period person play pleasure plebeians political portrayed possible present production purely question realistic reality reason rehearsals represent representations scene seems sense short simply situation social society sort speaking spectator speech stage story street style taken theatrical thing treated turn understand whole writing written