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Replications and Convergences
Roy Lichtenstein Hopeless 1963
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A. B. Cook aesthetic Alma Alma's Ambrose's Andy Warhol Antoine Doinel artist aspects attempt audience Barth becomes Bergman Brecht Brechtian camera character Charles complete contemporary conventional create critical distance Daniel Martin deconstruction Derrida describes devices earlier engaged epistemological skepticism exists fact fiction film Floating Opera formal Fowles Fowles's frame French Lieutenant funhouse Gallery Godard Graff human humanistic illusion individuals Ingmar Bergman involved John John Barth John Fowles jump cut language LETTERS Lichtenstein linguistic literary literature mask Meninas metafictional Michel mirror modern movie narrative narrator novel object painting parody performance person Pirandellian Pirandello play political postmodern poststructuralism Rauschenberg reader reality relationship representation result role Roy Lichtenstein Sarah Saussure scene sculpture self-conscious self-referential sense shifts signifier simply skepticism social spite story structuralist structure struggle style subversion suggests techniques theatre theatrical themes theory traditional Velazquez viewer visual voice Warhol writing York