Modern and Post-Modern Mime
This series aims to introduce the reader to major 19th and 20th century dramatists, movements and new forms of drama throughout the world. This study examines the contributions of Etienne Decroux, Jean-Louis Barrault, Marcel Marceau and Jacques Lecoq to the development of mime.
19 pages matching Mummenschanz in this book
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abstract acting actor Adele King Artaud artist Atelier audience ballet Bellugue Bill Irwin body career century circus clown commedia dell'arte corporeal mime corporeal-mime costume created critics d'une dancer Denise Boulanger described developed director Dorcy drama Dullin Ecole du Vieux elements Enfants du paradis Etienne Decroux expressive Festival film Francisco Mime Troupe Geoff Hoyle gesture Gide important improvisation Jacques Copeau Jacques Lecoq Jean Asselin Jean-Gaspard Deburau Jean-Louis Barrault Jouvet Marcel Marceau mask Maurice Sand McLean interview melodrama Michel Saint-Denis mime performer modern art modern dance modern mime modernist moved movement Mummenschanz nineteenth nineteenth-century objective mime painting pantomime paradigm Paris period physical Pitt plays popular post-modern post-modern mime produced programme San Francisco Mime silent pantomime solo sounds speech stage studied with Decroux style synthesis teacher technique theatre theatrical tour Unattributed photograph vaudeville Vaudevillian Vieux Colombier vocal mime voice words wrote young