Andr Bazin's impact on film art is widely considered to be greater than that of many directors, actors, and producers. He is credited with almost single-handedly establishing the study of film as an accepted intellectual pursuit. Updating the paperback edition of 1977, Dudley Andrew has written a completely new introduction and provided an additional essay by Jean-Charles Tacchella.
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The Formative Years
The War Years
Birth of a Critic
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91 January aesthetic Alain Resnais artist attitude audience Auriol auteurs Bazin felt Bazin found Bazin never began Bergson Bresson Bunuel Cahiers du Cinéma Cannes Chartier Chris Marker cine-club Cinéma 16 Citizen Kane classic Claude Cocteau consciousness develop directors discussion Doniol-Valcroze Editions Emmanuel Mounier Eric Rohmer Esprit essay fact festival film club film criticism filmmaker Flaherty France Francois Truffaut French friends genre Hollywood ideas intellectual interview issue Jacques Jacques Rivette Janine Jean Renoir Jean-Marie Domenach Joseph Rovan journal Legaut Leger letters literary Maison des Lettres Malraux Marcel Maurice Jaubert Mounier nature neorealism neorealist novel object Objectif 48 organization Paris Parisien Libere philosophical photography political produced published Qu'est-ce realism reality Revue du Cinema Robert Bresson Roger Leenhardt Rossellini Rovan Sartre Sartre's screen sense sion social spirit Stalin style Teilhard theater theory tion Touchard Travail et Culture writing wrote
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