Sincerity and authenticity

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Harvard University Press, 1972 - Literary Criticism - 188 pages
42 Reviews
"Now and then," writes Lionel Triling "it is possible to observe the moral life in process of revising itself." In this new book he is concerned with such a mutation: the process by which the arduous enterprise of sincerity, of being true to one's self, came to occupy a place of supreme importance in the moral life--and the further shift which finds that place now usurped by the darker and still more strenuous modern ideal of authenticity. Instances range over the whole of Western literature and thought, from Shakespeare to Hegel to Sartre, from Robespierre to R.D. Laing, suggesting the contradictions and ironies to which the ideals of sincerity and authenticity give rise, most especially in contemporary life. Lucid, and brilliantly framed, its view of cultural history will give Sincerity and Authenticity an important place among the works of this distinguished critic.

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Review: Sincerity and Authenticity (The Charles Eliot Norton Lectures)

User Review  - Luke - Goodreads

Being true to yourself - a necessary outcome of individualism, or a path of madness regardless? Decent lit crit from Shakespeare to Rousseau to Austen to Wordsworth to Freud, but not much else here. Read full review

Review: Sincerity and Authenticity (The Charles Eliot Norton Lectures)

User Review  - Luke - Goodreads

Being true to yourself - a necessary outcome of individualism, or a path of madness regardless? Decent lit crit from Shakespeare to Rousseau to Austen to Wordsworth to Freud, but not much else here. Read full review

Contents

Its Origin and Rise i
1
The Honest Soul and the Disintegrated
26
The Sentiment of Being and the Sentiments
53
Copyright

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About the author (1972)

Trilling has exerted a wide influence upon literature and criticism: as university professor at Columbia, where he taught English literature, and in his long association with Partisan Review, Kenyon Review, and the Kenyon School of English (now the School of Letters, Indiana University). He considered himself a true "liberal"---having a "vision of a general enlargement of [individual] freedom and rational direction in human life. Yet even liberalism, Trilling insisted, was simply one of several ways of organizing the complexity of life; however, it can reveal "variousness and possibility" just as literature, its subject, does. Trilling was viewed as a genteel moralist, but never would settle for mere simplification in literary analysis even if it led to understanding.

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