Satchmo: The Genius of Louis ArmstrongGary Giddins has been called "the best jazz writer in America today" (Esquire). Louis Armstrong has been called the most influential jazz musician of the century. Together this auspicious pairing has resulted in Satchmo, one of the most vivid and fascinating portraits ever drawn of perhaps the greatest figure in the history of American music. Available now at a new price, this text-only edition is the authoritative introduction to Armstrong's life and art for the curious newcomer, and offers fresh insight even for the serious student of Pops. |
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asked Baby Baby Dodds bandstand bass Black Benny blow boat boys bricks Buddy Buddy Bolden Bunk Johnson called Cheeky Black chick Clarence clarinet coal colored cops cornet Creole crowd Daisy Davis drummer drums Dutrey everything Fate Marable fellows fight Freddie Keppard funeral Gabe gave happened heard Henry Ponce honky-tonk horn Houma hustlers Irene jail James Alley Joe Oliver Johnny jumped Kid Ory Kid Ory's kind King Oliver knew Liberty and Perdido lived looked Louis Armstrong loved Mama Lucy Mary Jack Matranga Mayann mother musicians neighborhood never night Onward Brass Band Orleans Papa Joe parade Perdido Streets pimps pretty pulled Slippers started Storyville thing thought told tonk took tough town Tuxedo Brass Band wagon walked wanted white folks woman yard youngster
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Page 8 - There were churchpeople, gamblers, hustlers, cheap pimps, thieves, prostitutes and lots of children. There were bars, honky-tonks and saloons, and lots of women walking the streets for tricks to take to their "pads,