Drama in Modern India & the Writer's Responsibility in a Rapidly Changing World: Symposia at the Fourth P.E.N. All India Writers' Conference, Baroda, 1957K. R. Srinivasa Iyengar |
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19th century actors adapted æsthetic amateur ancient Andhra artist Assamese audience Baroda beauty Bengali Bengali drama blank verse Bombay Chandra characters comedies contemporary creative dance dialogue Drama in Modern dramatist English farces full-length plays Gujarati Hansa Mehta Hindi historical dramas historical play human Indian drama influence Kailasam's Kalidasa Kannada Kerala Krishna language literary literature live Maithili Malayalam Malayalam drama Marathi Marathi drama Marathi theatre Mithila Modern India mythological one-act plays opera Oriya Pandit Panjabi Parsi performed plays written playwright poet poetry political popular powerful prahasanas present problems produced professional stage prose Puranic rapidly changing world realistic recent religious rendered romantic Sabha Sanskrit drama satirical Shakespeare Shakuntala Shri Shrimati Sindhi Singh social dramas social plays songs spirit story success T. P. Kailasam Tamil technique Telugu themes tion tradition tragedy translated troupes Truth Urdu Urdu drama writer writer's responsibility wrote