The Archive and the Repertoire: Performing Cultural Memory in the Americas

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Duke University Press, Sep 12, 2003 - Art - 326 pages
In The Archive and the Repertoire preeminent performance studies scholar Diana Taylor provides a new understanding of the vital role of performance in the Americas. From plays to official events to grassroots protests, performance, she argues, must be taken seriously as a means of storing and transmitting knowledge. Taylor reveals how the repertoire of embodied memory—conveyed in gestures, the spoken word, movement, dance, song, and other performances—offers alternative perspectives to those derived from the written archive and is particularly useful to a reconsideration of historical processes of transnational contact. The Archive and the Repertoire invites a remapping of the Americas based on traditions of embodied practice.

Examining various genres of performance including demonstrations by the children of the disappeared in Argentina, the Peruvian theatre group Yuyachkani, and televised astrological readings by Univision personality Walter Mercado, Taylor explores how the archive and the repertoire work together to make political claims, transmit traumatic memory, and forge a new sense of cultural identity. Through her consideration of performances such as Coco Fusco and Guillermo Gómez-Peña’s show Two Undiscovered Amerindians Visit . . . , Taylor illuminates how scenarios of discovery and conquest haunt the Americas, trapping even those who attempt to dismantle them. Meditating on events like those of September 11, 2001 and media representations of them, she examines both the crucial role of performance in contemporary culture and her own role as witness to and participant in hemispheric dramas. The Archive and the Repertoire is a compelling demonstration of the many ways that the study of performance enables a deeper understanding of the past and present, of ourselves and others.

 

Contents

Acts of Transfer
1
Scenarios of Discovery Reflection on Performance and Ethnography
53
Memory as Cultural Practice Mestizaje Hybridity Transculturation
79
La Raza Cosmetica Welter Mercado Performs Latino Psychic Space
110
False Identifications Minority Populations Mourn Diana
133
You Are Here HIJOS and the DNA of Performance
161
Staging Traumatic Memory Yuyachkani
190
Denise Stoklos The Politics of Decipherability
212
Lost in the Field of Vision Witnessing September 11
237
Hemispheric Performances
266
Notes
279
Bibliography
303
Index
321
Copyright

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About the author (2003)

Diana Taylor is Professor of Performance Studies and Spanish and Director of the Hemispheric Institute on Performance and Politics at New York University. Among her books are Holy Terrors: Latin American Women Perform (coedited with Roselyn Costantino), Disappearing Acts: Spectacles of Gender and Nationalism in Argentina’s “Dirty War,” and Negotiating Performance: Gender, Sexuality, and Theatricality in Latin/o America (with Juan Villegas), all also published by Duke University Press.