The Villain as Hero in Elizabethan Tragedy |
Contents
plays influenced by the two types of revengeTitus Andronicus Aaron | 4 |
ENGLISH PLAYS BEFORE MARLOWE | 21 |
MARLOWE AND THE MACHIAVELLIAN VILLAINHERO | 40 |
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Aaron accomplices action admiration Alaham ambition Andrugio Angelo Antonio Antonio's Revenge Appius and Virginia Aristotle Aristotle's Atreus audience Barabas blood Bosola Cæsar Borgia Catiline character characteristics comedy conflict conscience courage crime criminal cruelty death deeds devil dramatists Duchess Duke egotist Eleazar Elizabethan Drama emotions aroused evil fact feel force Gentillet ghost guileful Hamlet hate hatred Hieronimo Hoffmann Iago Iago's impression influence of Machiavelli influence of Seneca Jew of Malta kill king Lorenzo lust Macbeth Machia Machiavellian Machiavellian villain Machiavellism Marlowe Measure for Measure Medea Merchant of Venice Meyer moral law motive murder names of plays nature Othello passion Piero plot poison Prince Promus and Cassandra protagonist religion result Richard Richard III says scene Sejanus Selimus Seneca Shakespeare Shylock simply soliloquy Spanish Tragedy struggle suffering sympathy Tamburlaine thou Thyestes tion tragic emotion Vendici villain as hero villain-hero play villain-hero type wicked wickedness wilfulness