The Photography Game: What it is and how to Play it |
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Page 133
... Dorothea Lange became one of the original members of the group , along with Walker Evans and Arthur Rothstein . Viewed from today's perspective , it is the timeless , universal quality that seems most important in Dorothea Lange's ...
... Dorothea Lange became one of the original members of the group , along with Walker Evans and Arthur Rothstein . Viewed from today's perspective , it is the timeless , universal quality that seems most important in Dorothea Lange's ...
Page 136
... Lange's extraordi- nary empathy and sharpness of eye , we are able ( in however limited and momentary a way ) to share their inner life . Dorothea Lange continued to photograph for government agencies as the Depression era merged into ...
... Lange's extraordi- nary empathy and sharpness of eye , we are able ( in however limited and momentary a way ) to share their inner life . Dorothea Lange continued to photograph for government agencies as the Depression era merged into ...
Page 137
... Dorothea Lange wrote of her pictures during her preparation of a major exhibition she never lived to see . " They are a product of the files . . . . A photographer's files are in a sense his autobiography . . . . As fragmentary and in ...
... Dorothea Lange wrote of her pictures during her preparation of a major exhibition she never lived to see . " They are a product of the files . . . . A photographer's files are in a sense his autobiography . . . . As fragmentary and in ...
Contents
If Louis Jacques Mandé Daguerre and Joseph | 11 |
A Crash Course in Photography | 18 |
The Biology of Vision | 32 |
Copyright | |
13 other sections not shown
Common terms and phrases
35-mm camera 35-mm photographer advertising Alfred Eisenstaedt amateur photographers ambiguity art director assignment available-light aware become Bert Stern black-and-white blur cells clients cone cells course creative custom lab dark darkroom depth of field detail Dorothea Lange Edward Steichen Edward Weston effect Eisenstaedt equipment exhibition exposure focus frame free-lance give graph graphic ground-glass Henri Cartier-Bresson human eye important Irving Penn kind Kodak Leica lens aperture lenses less look magazine ment model releases Modern Art Modernage Museum of Modern negative never once optical photo show photofinishing photographer's photojournalist Photokina picture buyers portfolio portrait professional published rapher reproduced retina rod cells sense sharp sheet shooting shot shutter speeds sometimes Street New York studio tend thing tion tures usually view camera viewer viewfinder vision visual