Acting, in Person and in Style |
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Contents
Exercises for Relaxing | 4 |
Personalized Kinesics | 10 |
In Style 99 | 11 |
Copyright | |
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Absurd acting style action activity actor actress ARLEccHINo arms artistic audience audition Azdak BARNEY begin behavior believable Bertolt Brecht Bobbi body breathing Brecht chapter character and emotion characterization Clown comedy comfortable comic commedia commedia dell'arte concentration costumes create dance dialogue director drama effective Elizabethan Epic Epic Theatre ESTRAGoN example Exercise experience expressionistic eyes father feeling gestures Greek GREGERs Grotowski Hamlet hand HEDvig human imagination improvisation improvisational theatre JocasTA kinesics koãx Lady language legs mask meaning Molière movement natural Neoclassic nonrealistic objects Oedipus onstage pantomimic pantomimic dramatization PEDROLINo performance person play analysis playwright practice projection realistic rehearsal relaxation Restoration comedy rhythm role analysis role creation scene script Select sensory Shakespeare sitting sound speaking speech stage Stanislavski Stanislavski system Suggested Readings tempo Tennessee Williams theatre theatrical tion touch tragedy University of Nevada University Press usually visual vocal voice William Shakespeare words York