Acting is BelievingEmphasizing that "an actor must believe to make his audience believe," ACTING IS BELIEVING remains one of the classic texts in the field of acting. Charles McGaw's and Larry D. Clark's earlier editions influenced generations of actors, and the book has been completely updated by Kenneth Stilson with the hope of inspiring today's future professionals. The Ninth Edition has an expanded theoretical grounding, while providing numerous new and revised exercises to help today's acting student apply the key concepts of a Stanislavski-based training program as interpreted through the eyes of twenty-first century artists. |
Contents
The Actor | 1 |
CHAPTER | 5 |
Acting with Professional Competence | 7 |
Copyright | |
42 other sections not shown
Common terms and phrases
ability acting action verbs actor actor playing artistic attempt audience audition begin behavior believe body Chapter character autobiography character's CLAIRE concentrate Constantin Stanislavski costume design create a character creative develop dialogue director discover dramatic dramatist example Exercise experience explore external feelings focus given circumstances Group Theatre hand Hold for fifteen imagination improvisation inner images inner monologues Jerzy Grotowski Juliet lines living logical look means mind Moscow Art Theatre motivating force movement observation obstacles onstage partner performance person Philadelphia Theatre Company physical actions playwright production psychological psychophysical rehearsal relationship relax Remember repeat responses role Romeo Romeo and Juliet Sam Shepard scene scenic design score of physical script sequence of actions simple objective speak specific speech stage Stanislavski subtext super-objective talent tempo-rhythm tension Theatre thoughts tion Tom Hanks truth understand Uta Hagen Utah Shakespearean Festival words young