The Cambridge Companion to Conducting
In this wide-ranging inside view of the history and practice of conducting, analysis and advice comes directly from working conductors, including Sir Charles Mackerras on opera, Bramwell Tovey on being an Artistic Director, Martyn Brabbins on modern music, Leon Botstein on programming and Vance George on choral conducting, and from those who work closely with conductors: a leading violinist describes working as a soloist with Stokowski, Ormandy and Barbirolli, while Solti and Abbado's studio producer explains orchestral recording, and one of the world's most powerful managers tells all. The book includes advice on how to conduct different types of groups (choral, opera, symphony, early music) and provides a substantial history of conducting as a study of national traditions. It is an unusually honest book about a secretive industry and managers, artistic directors, soloists, players and conductors openly discuss their different perspectives for the first time.
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The technique of conducting
Conductors in rehearsal
The conductor and the soloist
The orchestra speaks
The Russian tradition
The conductor as artistic director
Women on the podium
Conducting early music
The composerconductor and modern music
Managers and the business of conducting
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achieve American artistic Arturo Toscanini audience Bach Bach's baton Beecham Beethoven Berlin Berlioz Bernstein Boston Symphony Boston Symphony Orchestra Boulez Boult Brahms Bramwell Tovey Cambridge Companion career Carlos Kleiber choir choral chorus Cleveland Orchestra composer composer's concert conducting technique conductor Conservatory contemporary critics Early Music ensemble example Festival Franz Liszt Furtwangler German gestures guest conductor Hall Hector Berlioz instrument interpretation Italian Karajan keyboard Klemperer leadership Leipzig Leon Botstein Leonard Bernstein Liszt London Mahler manager Mendelssohn modern Monteux movement Mozart music director musicians Nikisch nineteenth century notes opera house orches Paris performance pianist piano play players podium practice premiere professional recording rehearsal Reiner repertoire Richard Strauss Richter role score singers singing soloist Solti sound Spohr Spontini stage Stokowski Strauss string studio style Symphony Orchestra Szell Tchaikovsky tempo theatre Toscanini tradition University Press Vienna violin violinist Wagner Wilhelm Furtwangler women conductors York Philharmonic