The Postcolonial Exotic: Marketing the Margins

Front Cover
Travel writing, it has been said, helped produce the rest of the world for a Western audience. Could the same be said more recently of postcolonial writing?
In The Postcolonial Exotic, Graham Huggan examines some of the processes by which value is attributed to postcolonial works within their cultural field. Using varied methods of analysis, Huggan discusses both the exoticist discourses that run through postcolonial studies, and the means by which postcolonial products are marketed and domesticated for Western consumption.
Global in scope, the book takes in everything from:
* the latest 'Indo-chic' to the history of the Heinemann African Writers series
* from the celebrity stakes of the Booker Prize to those of the US academic star-system
*from Canadian multicultural anthologies to Australian 'tourist novels'.
This timely and challenging volume points to the urgent need for a more carefully grounded understanding of the processes of production, dissemination and consumption that have surrounded the rapid development of the postcolonial field.
 

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Contents

Exoticism in the margins
13
Toward a definition of the postcolonial exotic
28
Consuming India
58
Rushdie Naipaul Kureishi
83
a short history of the Booker
105
Exoticism ethnicity and the multicultural fallacy
124
Ethnic autobiography and the cult of authenticity
155
Asia in recent
177
Margaret Atwood Inc or some thoughts
209
thinking at the margins postcolonial studies
228
Postcolonial studies and the pedagogic imaginary
243
postcolonial Tintin
262
Bibliography
291
Index
317
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