Music and Society Since 1815 |
Contents
The Decline of Court Patronage | 1 |
The Romantic Composer | 15 |
Musical Standards in the Early Nineteenth Century | 36 |
Copyright | |
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accepted amateur American artistic audience Austrian band became Beethoven began Berlin Berlioz Brahms Charles Hallé choir choral societies Chorley chorus composer composer's composition concert hall conducted conductor Conservatoire created demands Der Freischütz developed director Dresden early earn effect England English ensemble Europe European festival francs French German Hallé Haydn heard instrumentalists instruments Italian Italy Kapellmeister later Leipzig Les Huguenots Les Vępres Siciliennes libretto light music listeners Liszt Liverpool London Mahler melodies Mendelssohn Meyerbeer's Mozart musicians never nineteenth century Ninth Symphony Opéra opera house oratorio organisation Paganini Paris performance Philharmonic Society pianist piano played players political popular professional profit programmes published rehearsals repertoire Robert le Diable Rossini Russian Schubert score seems simply singers singing social sonatas songs Spohr Strauss style success Symphony Orchestra taste thalers theatre tion tradition Verdi Vienna violin violinist virtuoso Wagner Weber write wrote York York Symphony Orchestra