Image-Music-Text""The dominant perspective of the thirteen essays collected in Image-Music-Text is semiology. Barthes extends the 'empire of signs' over film and photography, music criticism . . . and writing and reading as historically situated activities. Several essays are frankly didactic. They review and expand the domain of a certain terminology: interpretive codes, narrational systems, functions and indices, denotation and connotation. Yet those impatient with special terms will not mind too much, for where else do they get, under the same cover, Beethoven and 'Goldfinger,' the Bible and 'Double Bang à Bangkok'? . . . Barthes is technical without being heavy, and a professional without ceasing to be an amateur. His precise yet fluent prose treats personal insight and systematic concepts with equal courtesy." --Geoffrey Hartman, The New York Times Book Review."--Page 4 de la couverture. |
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Common terms and phrases
according actants action actor aesthetic articulated Beethoven Benveniste body bourgeois Brecht Bunraku called cardinal functions catalysers character cinema communication constitute contrary criticism culture defined denoted diegesis diegetic discourse Eisenstein elements episode example expression fact film filmic Georges Bataille gesture Goldfinger Greimas Hence historical idea idiolect Jabbok Jacob jouissance Julia Kristeva language langue least linguistic message literature logical longer Marxism metalanguage metonymic movement myth mythical mythical inversion narrator nature novel object obtuse meaning obvious meaning once paradox Paris perhaps person Philippe Sollers photograph play plurality polysemy possible precisely production proletariat Propp psychoanalysis pure reader reading récit reference relation rhetoric role scene seen semantic semiology semiotic sense sentence sequence signs simply society speak speech stereotypes story structural analysis structurale struggle symbolic syntagm tableau teacher term theatre third meaning tion units voice whole word writing