Inventing the Art Collection: Patrons, Markets, and the State in Nineteenth-Century Spain

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Penn State Press, Nov 1, 2010 - Antiques & Collectibles
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The pace and scale of the exchange of cultural goods of all sorts&—paintings, furniture, even ladies' fans&—increased sharply in nineteenth-century Spain, and new institutions and practices for exhibiting as well as valorizing &"art&" were soon formed. Oscar V&ázquez maps this cultural landscape, tracing the connections between the growth of art markets and changing patterns of collecting. Unlike many earlier students of collecting, he focuses not upon questions of taste but rather upon the discursive and institutional frameworks that came to regulate art's economic and symbolic worth at all levels of Spanish society.

Drawing upon sources that range from newspaper reviews to notarial documents, V&ázquez shows how collecting acquired the power to mediate debates over individual, regional, and national identity. His book also looks at the emergence of a new state apparatus for arts administration and situates these social and political changes in the broader European context. Inventing the Art Collection will be of interest to historians and sociologists of Spain and Europe, as well as art historians and cultural theorists.

 

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Contents

List of Illustrations
43
one Mapping the Madrid Art Market 31
two The Search for Audiences 69
three Arts Administration and State Collections 97
four Her Majestys Patrimony 123
five Collections and Genealogies 159
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About the author (2010)

Oscar E. Vazquez is associate professor of art history at University of Illinois Urbana-Champaign. His articles have been published in Art History, Word && Image, and Art Journal.

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