Modern Architecture: A Critical HistoryThis acclaimed survey of modern architecture and its origins has become a classic since it first appeared in 1980. For the fourth edition Kenneth Frampton has added a major new section that explores the effects of globalization on architecture in recent years and examines the phenomenon of international celebrity architects who are increasingly active all over the world. The bibliography has been updated and expanded, making this volume more complete and indispensable than ever. |
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Page 131
... Suprematism , a black square and a black circle . Veshch thus invoked the sachlich engineered object and the Suprematist ' non - objective ' world . which In 1923 Lissitzky became further involved with such cultural propaganda , editing ...
... Suprematism , a black square and a black circle . Veshch thus invoked the sachlich engineered object and the Suprematist ' non - objective ' world . which In 1923 Lissitzky became further involved with such cultural propaganda , editing ...
Page 145
... Suprematist school in Vitebsk . Although Russian and Dutch Elemen- tarism had quite independent origins - the one Suprematist , the other Neo - Plastic Doesburg's work was transformed . After 1921 , under the impact of Lissitzky's Proun ...
... Suprematist school in Vitebsk . Although Russian and Dutch Elemen- tarism had quite independent origins - the one Suprematist , the other Neo - Plastic Doesburg's work was transformed . After 1921 , under the impact of Lissitzky's Proun ...
Page 169
... Suprematist school , Unovis ( the School of the New Art ) . This institution was to exercise a definitive influence on Lissitzky's development , putting an end to his expressionistic graphics and starting him on his career as a Suprematist ...
... Suprematist school , Unovis ( the School of the New Art ) . This institution was to exercise a definitive influence on Lissitzky's development , putting an end to his expressionistic graphics and starting him on his career as a Suprematist ...
Contents
248 | 15 |
A critical history 18361967 | 41 |
the Auditorium and the high rise 188695 | 51 |
Copyright | |
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