The Erotics of Talk: Women's Writing and Feminist Paradigms
Is feminism in "crisis?" With many feminists now questioning identification and focusing on differences between women, what is the fate of feminist criticism's traditional imperative to rescue women's stories and make their voices heard? In this provocative rereading of the classic texts of the feminist literary canon, Carla Kaplan takes a hard look at the legacy of feminist criticism and argues that important features of feminism's own canon have been overlooked in the rush to rescue and identify texts. African-American women's texts, she demonstrates, often dramatize their distrust of their readers, their lack of faith in "the cultural conversation," through strategies of self-silencing and "self-talk." At the same time, she argues, the homoerotics of women's writing has too often gone unremarked. Not only does longing for an ideal listener draw women's texts into a romance with the reader, but there is an erotic excess which is part of feminist critical recuperation itself. Drawing on a wide range of resources, from sociolinguistics and anthropology to literary theory, Kaplan's highly readable study proposes a new model for understanding and representing "talk." She supplies fresh readings of such feminist classics as Jane Eyre, "The Yellow Wallpaper," Incidents in the Life of a Slave Girl, Their Eyes Were Watching God, and The Color Purple, revealing how their "erotics of talk" works as a rich political allegory and form of social critique.
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Adrienne Rich African American Afro-American Alice Walker Anthony Giddens argues audience Benhabib black women Brontė Butler Celie Celie’s Color Purple consciousness-raising context contract Cornell Univ critique cultural conversation desire dialogue discursive erotics of talk Eyes Were Watching female femi feminism feminism’s feminist criticism Feminist Theory fiction fight freedom gender Goffman Gubar Harlem Renaissance Henry Louis Gates heterosexual Ibid ideal listener identification identity ideology imagine intimacy Jacobs Jacobs's Jane Eyre Jane’s Janie Janie's language Lanser Lesbian literary Literature narrative narrator Nettie norms novel one’s Oxford Univ paradigm performative Pheoby poetic politics of voice Press public sphere question reader reading recognition recuperation recuperative resistance Rochester Rochester’s romance Routledge seduction sexual Seyla Benhabib Shug silence slave social speak speech storytelling subversive suggest Susan Susan Gubar Tea Cake tell her story textual tion transformation trope utopian woman women’s writing Yellow Wallpaper York Zora Neale Hurston