Images of Power: Iconography, Culture and State in Latin AmericaJens Andermann, William Rowe In Latin America, where even today writing has remained a restricted form of expression, the task of generating consent and imposing the emergent nation-state as the exclusive form of the political, was largely conferred to the image. Furthermore, at the moment of its historical demise, the new, 'postmodern' forms of sovereignty appear to rely even more heavily on visual discourses of power. However, a critique of the iconography of the modern state-form has been missing. This volume is the first concerted attempt by cultural, historical and visual scholars to address the political dimension of visual culture in Latin America, in a comparative perspective spanning various regions and historical stages. The case studies are divided into four sections, analysing the formation of a public sphere, the visual politics of avant-garde art, the impact of mass society on political iconography, and the consolidation and crisis of territory as a key icon of the state. |
Contents
The Mexican Codices and the Visual Language of Revolution | 36 |
Gender Class and History | 51 |
Tradition and Amnesia in | 78 |
The Work | 99 |
Tango and Samba Images | 127 |
Internationalist Nationalism | 145 |
Caboclos | 165 |
the Casasola Archive | 195 |
Bastardised Iconographies of | 217 |
Longrange Technology | 241 |
Nomadic Tourists and Cultural | 255 |
Reflections | 271 |
Notes on Contributors | 291 |
Other editions - View all
Images of Power: Iconography, Culture and State in Latin America Jens Andermann,William Rowe No preview available - 2005 |
Images of Power: Iconography, Culture and State in Latin America Jens Andermann,William Rowe No preview available - 2005 |